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Geometrica — 46 works

COLLECTION Note · 2013–2024 · 14 referenced works

An entry into the archive’s most populous collection by recorded membership, through dated works and shared connections.

Collection overview

The Geometrica collection describes itself as mandalas, mandalic structures, and impossible geometries: the mathematical poetry of creation. Its forty-six listed members range across works made in Istanbul, Alanya, and Fethiye, and across records that describe meditation, dreams, digital construction, reuse, and connections beyond the collection. Read together, the entries preserve not only finished images but the language and circumstances attached to them.

Foundations of the mandala

**Sacred**, created in Istanbul on August 28, 2013, gives the archive an early point of departure. The artist calls it the “Zero Point,” an image whose iterations became a template used consistently in later digital work. **Divine Yantra**, dated February 3, 2014, states its purpose directly: active meditation without a specific goal beyond reflecting on the Infinite. Its narrative adds that the destination was a byproduct of the journey and records that it was created while making Axis Mundi.

**Indra’s Net**, created in Istanbul on January 2, 2017, gives the collection another image of relation: threads crossing through the universe, crystal beads at each crossing, and reflections passing from one point through the whole net. The three records place pattern beside meditation and correspondence without requiring them to be reduced to a single doctrine.

From symbol to process

The collection repeatedly preserves how a work came into being. **Asteroidea Venusia**, created in Alanya on July 17, 2017, follows a dream of a Venusian beach and a many-eyed starfish communicating pentagonal geometries. The artist describes making the image roughly two hours after waking, as an attempt to honour a strange memory rather than reproduce it literally.

**Prismatic Mandala**, created in Fethiye on November 29, 2020, makes reuse part of its record: it is identified as open-source art and offered with a layered PSD. **Metatronic Microstructure**, created in Fethiye on January 2, 2024, and **Semestral Synod**, created there on December 25, 2023, are each described as final images for a Digital Mandala Creation Masterclass. Their narratives name a workflow that begins with a squiggly line, passes through a 3D model and rendering, and ends in Photoshop, alongside lessons on energetic signatures, frequency modalities, and forms from the circle to the decagram. These records make the collection’s processes visible alongside its images.

Consciousness in geometric form

**Phonetic Vortex**, dated December 31, 2020, places a Terence McKenna quotation about courage alongside the geometry. The quotation speaks of commitment, impossible obstacles, and the abyss as a possible feather bed; the artwork record presents those words with the image and leaves the relation unstated.

**Unfolding the Antipodes of Awareness**, created in Fethiye on May 27, 2023, describes cosmic consciousness as existential surrender and pure presence, then gives gratitude to Elgin for helping the work survive its early stages. **Vajra Guru Mandala**, created in Istanbul on March 16, 2015, names the Vajra Guru mantra and situates it within Padmasambhava’s teachings and Tibetan Buddhist tradition. The records keep these statements attached to their individual works rather than turning them into a general claim about the collection.

Archive, transmission, and use

**Arcturian Template**, created in Fethiye on August 30, 2020, describes itself as a cosmic map for awakening and spiritual transformation. **Spagyric Spirit** uses the language of alchemical extraction, purification, and recombination. **Innerstellar Telemetry**, created in Fethiye on May 10, 2023, names a multidimensional apparatus for calibrating hyperspatial telemetry. Each entry supplies its own vocabulary of passage, instrument, or transformation; the archive does not present these works as one literal apparatus.

The collection also has a documented commercial connection. **Sylvan Perception**, created in Alanya on May 31, 2018, is a Geometrica member whose recorded connections include **Healing Lights 6**. The commercial record describes a 2018 compilation of electronic psytrance built as a musical journey oriented toward shared feeling, positive energy, and love. That archive edge links an artwork record to a release outside the collection without establishing that the music continues the mandala’s visual program.

Referenced Works

In the archive

Geometrica

Archive Sources

Primary archive records consulted for this Note