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Fethiye — the second period

FIELD Note · 2016–2026 · 10 referenced works

Works recorded in Fethiye across Universal Transmissions, Rubicon, Mythos and Geometrica.

Archive boundary

The current artwork archive contains 66 records with `location: Fethiye`. Readable `createdOn` fields span 2016–2026: 1 record in 2016, 2 in 2019, 12 in 2020, 2 in 2021, 5 in 2022, 21 in 2023, 3 in 2024, 12 in 2025, and 8 in 2026. “Second period” is a filing label for this later location grouping; the records do not themselves establish a formal periodization.

The memberships are overlapping: Rubicon (20), Prismatica (19), Geometrica (14), Arcanum (13), Mythos (13), Universal Transmissions (11), Twilight Transmissions (5), Beyond (3), Bio-Energetic Vortexes (2), and one each in Esoterica and Monochrome. These counts describe indexing, not separate sealed bodies of work.

A varied later archive

The Fethiye records move between intimate statements, technical disclosures, and codex-related projects. Satyam Shivam Sundaram, dated November 14, 2022, describes itself as a homage to Elgin and glosses its title as “Truth — Divinity — Beauty.” Ardhanarishvara — UNION, dated January 13, 2023, treats balance, Shiva and Shakti, and self-realization as central themes while also describing an AI-generated starting point followed by work in Photoshop, Cinema 4D, and ZBrush.

Beyond the Threshold, dated October 18, 2023, is dedicated to “the fearless grace of the love of my life.” Know Thyself, dated February 11, 2023, frames self-knowledge through the balance of grammar, logic, rhetoric, spirit, body, and mind. The Rubicon collection holds several of these later works, each with its own account.

Family, union, and process

Caelestis Lupus, dated January 25, 2022, began as the 27th page of the Universal Transmissions Codex and records collaboration with the artist’s son, including suggestions and encoded texts. Bio-Energetic Vortexes No. 7 — Spirit, dated October 11, 2022, describes a seven-year sequence through the seven chakra centers and explicitly says the image is a visual journal entry rather than an interpretation of Samadhi.

The later records also document teaching and workflow. Metatronic Microstructure, dated January 2, 2024, describes a Digital Mandala Creation Masterclass with more than ten hours of content, moving from a squiggly line to a 3D model and then Photoshop. Semestral Synod, dated December 25, 2023, calls itself the final image of the same masterclass and says the course still needed fine-tuning and modules.

Recent indexing

Ethera 24, dated January 12, 2024, records a completed 60-second animated loop and presents the image as a prototype page for a second Codex volume with augmented-reality activation. Universal Transmissions XI — Vitruvian Spirit — Seeding the New Renaissance, dated January 15, 2021, describes balance between feminine and masculine principles and a deliberate wish to seed a new Renaissance.

Across the dated Fethiye records, family collaboration, spiritual and relational themes, teaching material, animation and codex development appear side by side. “Second period” remains an editorial filing label, not an artist-authored name for this work.

Referenced Works

In the archive

Rubicon

Archive Sources

Primary archive records consulted for this Note